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Je Taime is naturally a gem and none of the opposite attempts at erotism equals its timeless appeal. This is a collection of French ballads and dada songs by the illustrious chanteuse of the sensual Je T'Aime (Moi Non Plus). If you like GAINSBOURG, this attainment is meriting buying because most of the best songs with JANE are thereIt includes the funny RACCROCHEZ C'EST UNE ERREUR in which a category maniac calls a female and gives her his fantasy spill;the alternating version of the standard JE T'AIME MOI NON PLUS, and the attractively sad QUOI in which JANE'S physical object is at her bestJANE is the most celebrated of the so called GAINSBOURG muses, and she first met SERGE while making the movie LA PISCINE in 1968. But this album is however a pleasant listening natural event and it is eager to last pore some of the other than line of work of the moaning singer of Je T'Aime. My favorites include the tuneful numbers La Décadanse, Mon Amour Baiser, Fuir Le Bonheur and Ballade De Johnny-Jane. Those who like Modern sixties and too soon seventies communication begetter like Mary Hopkin, Françoise Hardy and the too soon, folky Marianne Faithfull will savor the line of Jane Birkin. With the exception of those I have mentioned, most songs unluckily want catchy tunes, rendering them to a lesser degree memorable. There are trey duets with Serge Gainsbourg - the same classical plus La Décadanse and 69 Année Erotique, while Gainsbourg had a writing on paper and/or arranging most of the tracks. In the song Ex Fan Des Sixties, Birkin lists her preferred popping stars, including The Birds, The Doors and Jim Morrison, The Moody Blues, The Animals, the idiosyncratic Beatles, Brian Jones, Jimi Hendrix, Elvis, Otis Redding, Janis Joplin and T. The opening public presentation Quoi was the theme of the TV series Cinecitta and the breathy English song Yesterday Yes A Day comes from the soundtrack of the moving-picture show Madame Claude. Rex.
